My approach to art making has made me feel more deeply the extent to which spatial experience is the basis of perception, and that creating images is a form of making meaning from experience. My work stakes a claim for the role that image making plays in constructing our conscious relationship to our surroundings and explores our need to establish deep connections to the physical world.
Location: Long Island City, NY 11101
Email: fabozzip@gmail.com
Phone: 917 304 5654
Instagram: paul_fabozzi_studio
Paul Fabozzi’s paintings and works on paper have been included in solo and group exhibitions in New York, Philadelphia, San Francisco, Rome, Busan, and beyond. His work is included in numerous private and public collections, including the Weatherspoon Art Museum, San Diego Museum of Art, Neuberger Museum of Art, Frost Museum of Art, Samuel Dorsky Museum of Art, and New York Public Library. Awards include a fellowship from the New York Foundation for the Arts and the Café Royal Cultural Foundation. He edited an anthology of writings on contemporary art—titled Artists, Critics, Context: Readings in and around American Art since 1945—published by Prentice-Hall and is currently Professor of Fine Arts and Chair of the Department of Art and Design at St. John’s University in Queens, NY.
Reflection Point: Paintings
My creative process is fueled by episodic experiences of awareness, often inside architectural space. Body, location, temporality. Sensation, geometry, change. The direct experience of space fascinates me—how it acts as a field of operation for a mode of being, affirming that we participate every day in our conscious awareness of the world around us and recognize that the very act of making meaning involves an endless process of attention, awareness, and reflection.
Reflection Point: Works on Paper
Curved Locators: Paintings
Wandering in New York, Rome, Istanbul, Rio de Janeiro, London and Berlin. Using specific buildings as points of confluence for my urban drifting. Curved architectural forms have many specific articulations, formal, symbolic, functional. I found myself inside places of worship, entertainment, material consumption, contemplation, transit and governing. The works in this series, are a tactile and visual record of my personal reckoning with these spaces, a way of forcing them to look back at me.
Curved Locators: Works on Paper/Mixed Media
Site Translations: Paintings
How can experience, bound by time, be located? How can image-making become a means for layering physical, emotional, and mental conceptions of space? By employing rigorous means of visually dissecting and translating photographic artifacts of my experiences of specific sites in several international cities, I am attempting, through the creation of images, to dissolve the linguistically determined dichotomies between external and internal, organic and geometric, presentness and memory, thought and feeling.
Site Translations: Mixed Media
Spectral Variants: Mixed Media
These works feature ruled lines and bits of opaque geometry confined within the outlines of sets of shapes culled from photographs I took while walking in New York City. I then used these forms as the building blocks for further drawings, made by separating colors, shifting scales, layering and so forth— in a continuous process of generative translation. My goal is to push down underneath the appearance of the visual environment to articulate something more basic about the mental and physical rhythm of moving through space.
Data Walks: Paintings
Walking around New York City with a camera in hand and hooked to a pedometer allows one to collect a lot of data. Shapes that are culled from the photos taken and numbers counted by the pedometer are the raw material of this series. As the information about every conceivable part of our waking lives from every angle mount and the structures of organizing this data become more complex, the body retreats. This work mirrors that retreat but at the same time celebrates what, for me, is the cornerstone of being—the simple act of breathing as I move through space.
Data Walks: Mixed Media
Rome Series: Paintings
The works in the Rome Series are based on historically significant locations and buildings in Rome that I have visited regularly. They are created using three distinct methods of mark making that can be read as metaphors for the varieties of experiences of place—from the organic, intuitive, phenomenal to the geometric, rational, theoretical. What is particularly fascinating for me is the connection between experiential and theoretical interpretations of place.
Rome Series: Works on Paper
Select Exhibition Views
Select Bibliography
Upcoming Exhibitions
A Legacy of Making: 26 Contemporary Artists Inspired by their Italian Heritage
Cummings Art Center, Connecticut College
New London, CT
September 3 to October 15, 2024
Paul Fabozzi: Reflection Point, MoMA
Project: ArtSpace, New York, NY
Jun 12 to Jul 25, 2026
Paul Fabozzi: LIC Morphology
Garage Art Center, Queens, NY
June, 2027